Three Steps to Editing the Beginning

[This post first appeared on Almost an Author. February 22, 2018.]

Three Steps to Editing the Beginning

With my cursor at Chapter 1 in my WWII historical fiction novel, I hit Ctrl+Enter and sighed. Beginning a book all over again wasn’t what I had in mind. I liked this chapter. I mean, really liked it, even though everyone else said it wasn’t quite right. Forever, why? Why must I abandon these pages and start fresh, like erasing a favorite drawing of a flower but one petal was lopsided.

Two contests, a writing conference, and two agents later, my intuition solidified into a clear direction of where this chapter needed to begin. None of the critics’ comments were overly negative, and most of them enjoyed the few chapters I had submitted. But my first chapter lacked … heart, GPC (goal, problem, care), and solid reasons why things were happening the very moment the story began.

Beginnings

How many of you have revisited this elusive beginning, struggling to create a first chapter that pops! off the page?

I’ve always struggled to write beginnings. I’m sure I’m not the only one—and there are writers who dislike middles and endings, too.

Who are these characters, what is their goal and problem, and why do you want readers to care?

In addition to Goal, Problem, and Care, here are three things I learned about editing the first chapter that helped me introduce the GPC:

  1. Introduce main characters and continuing action early in the first page.Your readers must have a reason to continue to the second and third page and eventually the last page in as few sittings as possible. Maybe your character is afraid to drive over a bridge but must because her boyfriend sent her on a scavenger hunt, or perhaps your character must capture a rattlesnake because his friend dared him. Your first page should pop! with action that includes a huge goal with a problem your main characters must overcome by the book’s end.
  2. Give your characters lively dialogue.You want your readers to laugh and relate with your characters. The old “How are you?” “I’m fine, how are you?” type of dialogue doesn’t work anymore.
  3. Don’t overwrite. Simple is always best. Make Strunk and White proud of you!

Simple writing is sometimes hard for me because I love to describe things; however, too much is not good and hurts your writing and may frustrate your readers. I love reading Anne of Green Gables, but I have a hard time staying engaged with the verbose descriptions; in Ms. Montgomery’s defense, her readers enjoyed lengthy descriptions. Today’s readers want a read they can enjoy quickly.

After taking an honest and humble look at my first chapter based on the judges’ and agents’ comments, I’m glad I started over. I spent a few days pounding out a new first chapter, and it’s stronger because I’ve given my characters a goal to look forward to, a problem that stands in their way, and my readers something to care about.

Now, excuse me while I edit this post to ensure I’ve engaged you, helped you relate, and caused you to want to continue reading it.

Let’s Discuss!

What is your WIP’s first chapter about? Can you describe it in Goal, Problem, and Care?

4 thoughts on “Three Steps to Editing the Beginning

  1. Great points, all. I started my first chapter over as well, but I’m going to take a second look at it. I think it’s two shorter chapters actually. Frustrating to have to start over, but occasionally dogs bark for good reasons. It’s best to listen sometimes.

    Liked by 1 person

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