Tag: freelance editing

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How to Edit Your Character

how to edit your character

first appeared on Almost an Author DECEMBER 22, 2018

We’re into a New Year. Perhaps you finished a novel during Nanowrimo. Maybe you plotted a new story to begin writing in January. New Year, new goals, new story, right? I’d like to touch a little on how to edit your character. This might be something you tuck away and pull out after you’ve finished your discovery draft, or something you’re ready to use if you’ve completed your draft during the November writing frenzy.

I’d like to share a blurb from a well-loved classic to delve into the art of editing your character so that their inner/outer journey, actions, and dialogue is specific to the special person you’ve created. These elements will apply to both fiction and non-fiction.

Jane Eyre by Charlotte Bronte is a leading example of the depth of story through the power of its characters and how each character is important to the plot. We see all of the main elements in Jane’s character that really endear her to us: background, personality, appearance, and journey.

Background

Jane in Jane Eyre came from a horrible background. She thinks she will be nothing more than a servant because that’s what she’s been told as a young girl. However, she desires to be more, and applies at Thornfield Hall as the new governess. And throughout this new experience, we see Jane struggle with feelings of being good enough for her new position, but how she chooses to react to those past situations in light of her interactions with Mr. Rochester eventually allows her to influence Mr. Rochester’s life.

What about your characters? Whether you’re writing fiction or non-fiction, you have many different characters who all play a part in your story. Your main character drives the story, and the other characters enhance what your main character does. What brought your characters to the beginning of your story?

Personality

When Jane first meets Mr. Rochester, she thinks he’s an angry person, but he does not scare her. What does that tell you of her personality? Her background of being treated unkindly and unfairly is characterized in her personality. She is not afraid of Mr. Rochester because she has learned how to respond to less-than-desirable actions from others. Jane’s gentle, firm, and idealistic personality is consistent throughout the novel, which creates a compelling character in Jane, and one that readers admire and love.

What about your story? What motivates your character to do the things they do, say what they say, or react and respond to different events within the story? In a non-fiction manuscript, your character’s personality will enhance the illustrations for each point you’re trying to

make and the content will really come alive for your readers. Developing these elements will ensure your character has a depth of personality that will affect your readers.

Appearance

Jane thinks she is plain, but in the end Mr. Rochester thinks she is the most beautiful person he’s ever seen, even though he has lost his sight due to the fire. Why is this? Jane’s inner character shines through to her outward appearance in her tone, mannerisms, and attitude.

What about your characters? Your readers will gauge your characters’ general appearance (hair color, eye color, skin tone, height), but it’s the inner appearance we create that will give readers a deeper understanding and appreciation for your characters. For example, a reader may find a character’s smile to be endearing, while the character themselves may think that their smile makes them look awkward because they have a crooked smile. When we describe the characters in our manuscript, we may be compelled to give a list of all of our character’s features. However, this type of character description bogs down the story. The trick is to describe characters in a way that is natural, and that is through your character’s actions in each scene.

Character’s journey

There are two kinds of journeys for your character. The inner journey and the outer journey. Each journey motivates the character throughout the story and engages the reader in your character’s life. What is the inner journey and the outer journey supposed to look like? The outer journey is what the character wants, and the inner journey is the inner struggle of that desire.

Jane wants to be treated not as a servant but as an equal. She wants independence, but she also wants someone to love her. The story shows how she displays that independence by standing up to Mr. Rochester’s indifferent attitude toward her. But with her inner journey, her struggle, she fears that she is not his equal because of their class differences, and she also fears that she might lose her independence, even though she desires to marry Mr. Rochester.

What about your characters? What does your character want? What is your character struggling with? What are they afraid of? What do they have to lose? Your characters will go through a series of emotional arcs. Michael Hague describes a character arc as a journey from living in fear to living courageously. Whether fiction or nonfiction, you decide what your character or reader wants. Then you structure the different events that your character goes through with the inner journey of how they are internalizing the events around them based on their outer journey, what they want.

Wrap-Up

The key here is to create a trail of breadcrumbs that leads your readers from Point A to Point B, keeps them guessing at how the character is going to get what they want, and what might get in their way and prevent them from getting what they want. And these four elements of your character’s background, personality, appearance, and journey set the stage for an engaging reading experience that whisks your readers away to a world of characters—and story—your readers will never forget.

Please take a minute and join in the discussion! I’d love to hear from you!

What’s your favorite character from a novel you’ve read, and what makes that character special to you? How can you enhance your own characters by the characters you read about in other books?

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PENCON 2018: Grand Rapids, Michigan

2018 Conference Review_ for editors by editors

Going from a writer’s conference the end of March to an editors’ conference the beginning of May was drastic. But you know what? I enjoyed both! Call me weird. I accept that descriptor. Gladly.

Gearing up for an editors’ conference is much like gearing up for a writers’ conference. You plan your sessions, choose the editors you’ll make appointments with, and you continue to grow in the craft—yes, craft—of editing, proofreading, formatting, or whatever form of editing you’re known for.

I’ll admit, the atmosphere is not like a writers’ conference. While the atmosphere at a writers’ conference is all about excited dialogue with others about your story, the atmosphere at an editors’ conference is all about excited dialogue about . . . um, well, grammar. And the rules of what makes good editing that shapes a really good book. Think it’s boring? Well, perhaps you might. But I thoroughly enjoyed being with my #grammar nerds and Chicago Manual of Style lovers.

For you writers, you may ask: What do editors talk about?

And to that an editor says, We talk about words, standard editing rules, our authors (it’s all good! We love helping our authors excel and we always find better ways to help them grow as writers), books that meet the expectations of great writing, and we talk about the style books. The manuals. Kinda boring, you might think, especially if you aren’t a word nerd, but not so because we attend editing conferences to help our authors exceed.

It’s a huge circle, this publishing industry. Each piece has an important part. The marketer helps the author, the publisher helps the reader, the editor helps the agent, the author helps the editor . . . do you see? We all support each other. And we all work very hard to produce good quality reading material and get it into the hands of hungry readers.

So . . . what did editors do at PENCON?

We drank gallons and gallons of coffee.

And we listened to and learned from Robert Hudson, author of The Christian Writer’s Manual of Style, deliver poignant lessons on how to be listening editors for our authors and beyond.

We toured Our Daily Bread, a ministry that’s been around since the 1930s. If you’ve never been, you should visit!

Just like writers attend writing sessions, we attended editing sessions. We learned new ways to organize our comments when editing our authors’ manuscripts and learned the importance of copyediting and what it really means to fight for each word or not at all. We explored how a book is made and what that means for the publishing industry. We laughed about editing mistakes and how to handle those hard feedback comments with grace. We learned the ins and outs of The Chicago Manual of Style, 17th edition.

Yes. There was an entire session devoted to a style manual. Not just any style manual, but THE editors’ Bible across the Christian publishing industry. (Other types of publishing have their own “Bible” and may not refer to CMS as their top resource.)

We drank more coffee and had delicious snacks. We recommended books to each other—fiction, nonfiction, style guides and manuals, writing craft books, and editing craft books and online courses and editing networks to join.

We asked questions of and listened to a publishing industry panel share their thoughts about the direction of the industry, what their houses publish, and how publishers can work with freelancers (editors) in a more cooperative and encouraging manner.

We learned how to help our authors market their books better. Yes, Indie Authors, we’ve got your back whenever you have any random marketing question! And some freelance editors are also book marketers or social media consultants.

Overall, I had a wonderful time, reconnecting with friends and meeting new friends. And like writers meeting writers, editors meeting editors seek to make friendships for a lifetime. You never know how you may help someone you met at a writers’ conference, and vice versa.

And to top it off, as the assistant director of PENCON, it was super rewarding to work with Director Jenne Acevedo and to  see all our hard work pay off. To see everyone enjoying themselves, learning, networking, talking about words—brought such a smile to my face. PENCON 2018 was the fifth year for a conference for professional editors. And to see it grow is so much like watering a seed and watching it grow into a rosebush.

That’s why editors attend an editors’ conference. We want to learn more about the craft of editing so we can see words and writers grow, as well as see readers grow. And learn. And love. And laugh. And encourage.

Yes. That’s our wonderful publishing industry.

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Empty Your Pockets

Empty Your Pockets: A Conference Review of Mount Hermon Christian Writers Conference. 2018. California.

I started writing at age eight. At the childhood years, writing is mostly fanciful scribbles across bits of notebook paper, plagiarizing famous authors (Louisa May Alcott, for one. . . . Hey, why not copy the masters?), manuscripts that are presented to Mommy in one huge run-on sentence or paragraph (bless my poor mother’s eyes!),  and writing about your pets or family.

But when I grew up, I learned writing was a whole different world.

Writing was a business. An art. A calling. Networking. Numbers. Devotion to the craft. Long hours of spewing prayers with friends and in your prayer closet. Finding a mentor. Asking 695,708,214,999 questions. And then asking a few more. Learning from writers, mentors, agents, editors, publishers. Soaking up every piece of information found in Writer’s Digest or any online writing instructor’s super helpful blog posts (like Linda S. Clare and Ginny L. Yttrup), or writing craft book or building platform book by Michael Hyatt, and countless other great professionals.

Writing is a determined path to publication fraught with the key to acting as a little yellow sponge for anything about writing and editing. For only the best advice about writing and editing, that is.

So what does this have to do with emptying your pockets? you ask, scratching your head and tilting your mouth sideways.

Ohhh, my friend, let me tell you!

True. I’ve been writing since I was eight. But I’ve been really writing and studying the craft since I was 12, when I started my WWII series about horses and the American home front. And seriously writing and devouring craft of writing since 2016, after graduating with a master’s in English Education.

I’d heard about Mount Hermon Christian Writers Conference for a few years, and Director Kathy Ide even encouraged me to go last year. But I couldn’t afford it. At all. I’d just moved, getting settled into my new place, making a living on my own as an editor. No. Way. A conference all the way in California was going to happen. Midwestern girl, that’s me.

Period.

Well . . . I have been known to rethink things. Blame it on that analytical side of my brain where I have rationalize and consider all the possibilities for success. Yeah. That happened—the longer I read through the Mount Hermon conference website information or saw a Facebook post from all my West Coast author friends. Logic over passion, I closed each tab that talked about Mount Hermon. No. Just no. I simply cannot do it this year. Maybe next year.

Passion has a way of wiggling in and winning. You know how it works.

It was then my friends messaged me and told me I needed to attend! I shook my head. Seriously, people. I’m a starving and poor writer living in the Midwest. NO! And I’ve even read Real Artists Don’t Starve too.

So if passion wiggles in and takes root, then God’s prodding must be even stronger, right? Right. God reached in and would not let go. I tried to pull—yank—free. How sad on my part.

Go to this conference, God?? The airfare is nearly half the conference cost!! Can’t you send me to a conference that’s closer? Like in my own state? There’s one coming up in June . . .

No. No? No! You sure know how to pull a fast one.

With Mount Hermon Writer’s Conference only five weeks away, I had to do something quick. Like pray my guts out. I had no financial resources to even attend. Well, my credit card . . . but then there was paying the thing back, and I am not one for accumulating debt. (Yes, Dave Ramsey and common sense all the way.)

“Trust me,” God said. Trust. Right. Wasn’t that my “word” for the year, anyway? Hadn’t I asked God to let me trust him? Where was MY faith now? Hadn’t my word for 2017 been “adventure,” and hadn’t I asked God to increase my adventuring for 2018 and add “trust” to it? What a liar I was. Fraud.

I wanted to crawl into the closet. Not the prayer closet. But the closet of shame. My faith wasn’t even the size of a mustard seed. And I called myself a Christian. Sigh. Okay, God, I’ll pay for this conference with my credit card. I’ll trust you for the money and the results.

Then I saw my favorite author Sarah Sundin was teaching a mentoring clinic. Wouldn’t that be the best dream ever to receive a manuscript critique from her? Immediately, I shut down the thought. I’m broke! No. Money. Remember, Tish?

God said, “Register for the Mentoring Clinic. Empty your bank account.”

Regist—really, God, now this isn’t funny.

“Just register already.”

I registered, hands shaking, my bank account sobbing, my head spinning. My lips moving.

A few weeks later, I learned that Sarah Sundin would not be leading the mentoring track. Someone else would. As I read the email again, I picked up the phone to cancel the trip altogether. If I couldn’t sit under my favorite author’s instruction, I might as well not go.

“Na-uh,” God said. “Don’t do anything.”

To be quite honest with you, I was mad at God. Why are you turning everything upside down? Why? This mentoring clinic is my only one pleasure out of this whole trip all because you asked me to empty my pockets.

I could hear him laughing.

When I bought the plan ticket, I had a miser’s heart attack. When I left for Mount Hermon, I had no solid plan because I’d spent the last four weeks proofreading the only gig I’d probably have for a while. “Trust,” God said. Okay! I trust you, but you’d better please make it good. 

I stepped onto the campground in the Santa Cruz Valley and the feeling of freedom engulfed my spirit. This place was beautiful with its sky-reaching redwood trees, quaint cabins, and beautiful grounds. However, that feeling of fear gnawed at me the whole conference, even though I was trying hard to trust.

IMG_20180326_171550732But like a good writer trying to make good on a business investment that was sure to fail, I went to the mentoring sessions, talked to my peers and instructors, met many writer friends, exchanged business cards, pitched my book, laughed and took silly photos with Sarah Sundin, Marci Seither (Mount Hermon emcee), Crystal Hughes (who won the True Grit Award and has an amazing story), and Robynne Miller (Director of Inspire Christian Writers), got my manuscript critiqued from the Critique Team, and even got my picture taken with the “legendary and scary” Steve Laube of The Steve Laube Agency.

For those who haven’t met him, Steve’s not scary but a kind agent who has the patient heart of a teacher (as do many other agents). Even though he rejects nearly every writer who’s ever submitted to him, it’s not the agent’s rejection that’s important, but what you learn from that rejection. That’s another Mount Hermon story for another day.

IMG_20180323_101144193And like a starving writer, I let whatever come, come. Thanking God for the connections, new friends, and much-needed conversation about writing and editing. I even visited the beautiful chapel to spend some time to calm my spirit, which was a royal mess.

Throughout the week,  in those moments of fear, that aren’t necessary but you have them anyway because you’re just as human as the next person, I saw God give confirmation to me as a writer and and an editor, But that wasn’t all. That pocket starving inside the writer? By the end of the week, it was groveling. I had emptied my pockets, given my last two mites to go to this conference.

Then God showed up through the giving and gracious heart of a dear friend I’d just met that week. My new friend found me at dinner and handed me a card, hugged me, and said to keep in touch. Of course. I forgot about the card, until I was on my last flight home.

A beautiful card about “trusting God”—there’s that word again!—“to remind [me] that he is near, he is able, he is faithful . . . in all the ways [my] heart needs most.”

Inside that lovely card was a generous financial gift that filled my pockets to the full, sent tears streaming down my face, causing my faith to fly where it deserved and needed to be—on God.

Truly a Mountaintop experience? I’d say so.

Here’s what I learned from Mount Hermon:

  • Sometimes God asks us to work with him (as Allen Arnold had said in his closing keynote) and to empty our pockets, drain our bank account, just so we can watch him fill it up again.
  • Never turn down an opportunity, even if it’s not the one you had your heart set on.
  • Our fears are our greatest enemy, but our fears can also be our greatest motivation.

So, what about you? I’d love to hear from you in the comments!

What is your greatest fear that’s going to be your greatest motivation?

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